https://www.rosshalfacree.com/home daily 1.0 2024-02-13 https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/af4b4433-cafa-417c-81ce-5a49f677717f/Colour+RH+in+Studio.jpeg https://www.rosshalfacree.com/contact daily 0.75 2021-01-13 https://www.rosshalfacree.com/landscape-abstraction daily 0.75 2022-07-03 https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1623128463518-LISZOFQY941XJSETMO98/Blue+Squares+Cropped+5MB.jpg Landscape Abstraction - End of the Road On-line Finalist 2021 Lethbridge 20000 Small Scale Art Award (QLD) Acrylic and Mixed Media on Canvas 510 x 510 x 40 Tahiti’s Teahupo’o is considered by many pro-surfers as the heaviest and most dangerous wave in the world. Nestled in the south-western corner of Tahiti’s smallest dormant volcano, Tahiti-Iti, Teahupo’o is a small quiet village that has been able to retain much of its native beauty. Teahupo’o’s location, power, speed, and the weight of water has led the wave being called “The End of the Road”. Imagine a massive ocean meeting a very shallow reef, rising instantly to the 10m face of a surging wave. I wanted to produce a work that flashed the blue, green and white images surfers might encounter when they wipeout onto the coral reef and stay submerged and pummelled for 2 or 3 minutes. https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1619142264047-R86J1UFW2EEB4QV947QP/PIC+4+BEST+MOSAIC+150dpi.jpg Landscape Abstraction - Moments in Time Gallery Finalist 2021 Lethbridge Landscape Prize (QLD) Acrylic and mixed media on canvas 760 x 760 x 40 Bushfires would say of themselves that they are treacherous, capricious, angry and unashamedly resplendent. Using acrylics and mixed media, I have created 361 spontaneous fire flashes on acetate, and assembled them into a single image representing bushfires’ self-acclamation. Not trivializing their destructive power but acknowledging these events as increasingly inevitable. https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1610415055668-VMJQ0SJOMQO9N7VQYU3K/The+Lilly+and+the+Bee.jpeg Landscape Abstraction - The Lily and the Bee Winner 2018 Clyde Oakley Memorial Prize - Gulgong Arts Council (Gulgong NSW ) Acrylic on framed black foam board 815 x 545x 40 This work was inspired by the Henry Lawson poem, reproduced under. I looked upon the lilies When the morning sun was low, And the sun shone through a lily With a softened honey glow. A spot was in the lily That moved incessantly, And when I looked into the cup I saw a morning bee. "Consider the lilies!" But, it occurs to me, Does anyone consider The lily and the bee? The lily stands for beauty, Use, purity, and trust, It does a four-fold duty, As all good mortals must. Its whiteness is to teach us, Its faith to set us free, Its beauty is to cheer us, And its wealth is for the bee. "Consider the lilies!" But it occurs to me, Does any one consider The lily and the bee? https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1610426632146-5PR8BP3B764SEZ95VETH/Ross_Halfacree_Australian+Eden.jpg Landscape Abstraction - Australian Eden (In a Perfect World) Finalist Prisma 5th International Art Prize 2020 (Rome Italy) Acrylic on framed canvas 635 x 635 x 45 In 2018/2019, many Australians were burdened by the full range of nature’s destructive capability. We were all confronted by scenes of tragedy and desolation. Between fire, flood and drought, those who live on and cherish the land have had their health tested financially, socially and mentally. I chose to look forward to better times and represent how perfect our land can look when nature re-emerges into what might be called a Perfect World. I have used Dorothea Mackellar’s “My Country” as my compass with particular guidance from her words “…for flood and fire and famine she pays us back threefold…..”. I sought to capture her “sapphire-misted mountains”, “the filmy veil of greenness that thickens as we gaze” and “the green tangle of the brushes”. I then interlaced my own dreams of what our country might look like in a Perfect World. https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1610587400239-ZX9FM2XSVCFYN7MWVSYF/FLOW+2+Full+Picture+3.jpg Landscape Abstraction - Flow 2 Merit Award, Grey Cube Gallery 2021 on-line Art Show (USA) Acrylic and enamel on stretched canvas 1010 x 760 x 40 Almost unstoppable rivers of molten rock flowing wherever they choose, permanently and unpredictably reshaping the landscape. https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1610587588617-J3VQXGBMWJF3MF27FEQC/PHANTOM_ROSS_HALFACREE.jpg Landscape Abstraction - Phantom Finalist Carlingford Community Art Show 2020 (Sydney Australia) Acrylic on stretched canvas 610 x 455 x 35 A look into the colours and shapes of deep space………..but when exploring abstract themes, you sometimes created unintended images. Find the Phantom. https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1610421138710-9GA0JR6ICH9IJN4OBZPL/Ross_Halfacree_Boroyirong+%28Pulbah%29+Eden.jpg Landscape Abstraction - Boroyirong (Pulbah) Eden Acrylic and spray enamel on stretched canvas 300 x 300 x 35 Water is often a harbinger of a rich and vibrant landscape and culture. I chose to depict Pulbah Island and its surrounding waters as representative of the prosperous culture of the Awabakal people, the areas traditional owners. I imagined the island as a sacred meeting place of great beauty and spirituality, flanked by water nurturing the abundant shellfish that were an important part of the Awabakal people’s diet. I selected a small canvas and part of the island as viewed closely by a circling wedge-tail eagle - a bird with a special significance to the Awabakal people. I applied vibrant acrylic and enamel paint on canvas, using sticks, spray-cans and brushes to create a textured work inviting viewers to touch the canvas. Whilst the colours may not represent the island’s flora, I chose them to reflect the rich Awabakal history and culture, as well as the unique beauty of the Lake Macquarie environment. https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1611365262178-8IH4YAGDKL7HPG6VQ8XS/Spring+In+Kinchega.jpg Landscape Abstraction - Spring in Kinchega Finalist Victor Harbour Art Show 2020 (SA) Acrylic on stretched canvas 760 x 760 x 35 I depicted part of the Kinchega National Park landscape in a way that deliberately amplifies the local colours, textures and flora diversity. Within that context I have used abstract styles and techniques to celebrate nature’s resilience. and its ability to quickly reshape and reorganize its character and delight. I specifically used the waterway to portray the aboriginal spirituality of the Barkindji people whose presence dates back more than 10,000 years, and who used the associated waterways as important sources of food. The images have been assembled through direct observation and subsequent recollections and imagining. To enhance the abstract interpretations, I have used a specific flower - the yellow and lilac Menindee Nightshade - to introduce the park’s floral beauty. Through this work I hope to encourage exploration of the park’s luscious tranquility and its compelling aboriginal history. https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1610425201440-4GM08SZACH8LVVN9XASS/Pilbara+Brumbies.jpg Landscape Abstraction - Pilbara Brumbies Selected for the Strathnairn Gallery Squares 2020 Exhibition (Canberra Australia) Pencil, pen and acrylic on stretched canvas 305 x 305 x 40 An aerial abstract view of the tracks of Pilbara brumbies. Brumbies are subject of controversy, regarded as pests by environmentalists and the government, but also valued by others as part of Australia's heritage. https://www.rosshalfacree.com/about daily 0.75 2024-02-13 https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1601857755448-M5HEE0XIX1BIAW4MXZYB/Ross.jpg About https://www.rosshalfacree.com/wrandom-thoughts daily 0.75 2021-11-11 https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/292cce71-54ce-411f-a0f7-d13388b4d877/Draft+Latest+PIC.jpg Wrandom Thoughts - Imagining Acrylic, aerosol, pen and pencil on stretched canvas 760 x 610 x 40 Proposed entry into The inaugural STANDTALLFORPTS ARTS COMPETITION – ‘Hope and Recovery” https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1610485327471-VKQ3MIIB88PUTD8E614Q/September+1982+Ross+Halfacree+SMALL.jpg Wrandom Thoughts - 12 September 1982 Finalist SBS Portrait Prize 2020 (VIC Australia) Acrylic, pen and mixed media on stretched canvas. 1250 x 650 x 30 https://www.southernbuoystudios.com.au/sbs-portrait-prize-2020-online-gallery This story has taken almost 40 years to unfold and release. The time, place and process were unplanned and spontaneous. I found myself grabbing a cheap thin edged canvas with no premeditation or aspiration. As the work developed, the permanent gaze of my eyes became the focus, with the colours of my face flashing symbols of sadness, blame, anger and emptiness, but with small elements of warmth and hope. There was literally scores of attempts to express my feelings around my mouth, but they all seemed wrong. Thinking back this probably reflected my inability at the time to express my feelings in words. The solution reduced to simply noting the date of the death of my first daughter, Grace – with us for a day. This seemed to be enough. https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1610485510386-OZONQLJB6B116DOKC9Y6/ross+halfacree_3+Whacked+Pigs+with+Channel+9+Teeth.jpg Wrandom Thoughts - 3 Whacked Pigs with Channel 9 Teeth Pen, pencil, acrylic, enamel and mixed media on unframed paper 610 x 460 Not sure where this image thought came from. Could be an unintentional visual statement for The Animal Welfare League or PETA. More likely media and entertainment folks with substance abuse problems, but made good with the mandatory bright shiny teeth. https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1610485771597-9G7VZ3D5EQRE3IEHF4YA/URBAN+COW+2050+%282%29.jpg Wrandom Thoughts - Urban Cow 2050 Pen, acrylic, enamel and mixed media on stretched canvas. 610 x 455 x 40 A future cow, happy and capable of providing all milk varieties. Additional 2060 targeted species. (Note - all nominated species actually provide their own form of milk). https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1611185470799-9ORAE2Z1N3GG8919OHJY/Dali.jpg Wrandom Thoughts - Thank You Diego Velasquez Acrylic and stretched canvas 710 x 500 x 40 An homage to the brilliance and wonder of Salvador Dali, using a “gracias” to Diego Velazquez for the inspiration and source of his famous moustache. https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1611193524987-F0UGWYKKKFVJPBUZ0WEV/Cant+Stop+Smiling+croppede.jpg Wrandom Thoughts - Can’t Stop Smiling Exhibited in the 2020 Belconnen Art Prize “FACE” theme. (Canberra Australia) Gloss enamel, pen and acrylic on paper 417 x 297 Interpreting the face only as a bunch of smiles. https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1611192776954-JRXGXZVK49DXAZD8MJP6/Image+1.jpg Wrandom Thoughts - Up in Smoke Selected for the Strathnairn Gallery “Squares 2020” Exhibition (Canberra Australia) Acrylic on acetate sheet on stretched canvas 300 x 300 x 40 Some initial thoughts for a much larger and more complex piece to come. https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1611194500890-OC5APMDAL3CPZZ381TST/The+Morning+After.jpg Wrandom Thoughts - The Morning after the Night Before Exhibited in the 2020 Belconnen Art Prize - “FACE” theme. (Canberra Australia) Gloss enamel, pen and acrylic on paper 417 x 297 Self explanatory. https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1611533369448-ASBUKM076VELHKK51Q91/DEEP+SPACE+WINDOW.jpg Wrandom Thoughts - Deep Space Window Finalist Art Room Gallery “Black and White” Theme 2021 Acrylic on stretched canvas 300 x 300 x 40 https://www.artroomgalleryonline.com/current_exhibition.html In adopting the theme, I chose black and white to create a view into deep space though the blur of an adjacent galaxy window. https://www.rosshalfacree.com/gallery daily 0.75 2023-06-12 https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1605409846200-WCGEGJUBKZ6FPWQ5E4KV/RossHalfacree_SpringInKinchega_760x760mm_Gallery_WEB.jpg Gallery LANDSCAPE ABSTRACTION https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1605410078773-CYJPHT4IJJHS5LB5PC6G/RossHalfacree_MixedMediaOnCanvas_750x750mm_WEB.jpg Gallery SOCIAL MESSAGING https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1605410155873-9MQISV0B0IJ21TGKOWIA/Division+of+Labour+%28IDENTITY%29.jpg Gallery GEOMETRIC ABSTRACTION https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1610591755602-ZRYJK1HGM1UP978RKEEA/September+1982+Ross+Halfacree+SMALL.jpg Gallery POP ART AND URBAN ART https://www.rosshalfacree.com/geometric-abstraction daily 0.75 2021-01-27 https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1610426049086-TTOB959UWQ13G1B5YSF7/Division+of+Labour+%28IDENTITY%29.jpg Geometric Abstraction - Division of Labour Finalist, Collie Art Prize 2020 (Collie WA) Pencil, pen and acrylic on a framed canvas 420 x 297 x 40 www.facebook.com/collieartgallery/posts/2565417183705511 I was challenged to interpret the theme, IDENTITY, in a biological context, and in doing so achieve a visual balance between imagination and science. We all have our individual biological IDENTITY encapsulated in our DNA. Within our DNA, cell structures align with the functions they undertake within our bodies in what is known as the “Division of Labour”. In a micro interpretation, my intention is to expose and simplify the beauty, harmony and respectful tangential relationships created as cells form and assign their IDENTITY roles. A balanced and delicate juxtaposition, seemingly complex until you take the time to focus on the distribution, allocation and balance. https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1610597049731-TWJP60BBFRGK0CUZQ246/Solar+Systems+1.jpg Geometric Abstraction - Solar Systems Finalist Ginninderry Drawing Prize 2020 ( Canberra Australia) Pencil, pen and ink on unframed paper 415 x 290 2020 research has looked at “space manifolds”, or the connection of arches from the edges of solar systems. This small artwork explores that concept. Circles within circles within circles. Hundreds of billions of planets, moons, suns and other objects wandering and shooting through space, but captured in a single interactive event. https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1610917633222-PMYD3MN4U735CUVDYZR1/Pic+1a+Yasashi.jpg Geometric Abstraction - Shinsetsu 1 Included in The Royal Queensland Art Society’s inaugural on-line Exhibition - “Creative Corona , Artworks created in isolation” (Brisbane Australia) Acrylic and pen on unframed canvas paper 590 x 420 I have merged an interest with street signage with an interpretation of kindness and compassion – “Shinsetsu” - that permeates Japanese society. Within that I have tried to show how “social distancing” is a inherit part of Japanese culture. Lots of people moving about in different directions and speeds, but always showing respectful separation and abounding energetic kindness and respect. I was influenced by visiting Tokyo’s Tsukiji fish markets where 30,000 workers harmoniously interact daily, and the Shibuya scramble crossing where 3,000 people navigate their ways leaving space. https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1611360496987-HHVBIWQUJ6011LZO0S9P/Division+of+Labour+3.jpg Geometric Abstraction - Division of Labour 3 - Identity Finalist (special recognition category) 4th Patterns Art Exhibition 2020. Light Space Time Gallery (California USA) Pencil, pen and acrylic on unframed Bockingford White paper 765 x 565 https://www.lightspacetime.art/patterns-art-exhibition-september-2020/ A larger and more detailed interpretation of the theme of “IDENTITY” and ““Division of Labour”above. A further biological context interpretation , trying to achieve a more detailed visual balance between imagination and science. We all have our individual biological IDENTITY encapsulated in our DNA. Within our DNA, cell structures align with the functions they undertake within our bodies in what is known as the “Division of Labour. In a micro interpretation, my intention is to expose and simplify the beauty, harmony and respectful tangential relationships created as cells form and assign their IDENTITY roles. A balanced and delicate juxtaposition, seemingly complex until you take the time to focus on the distribution, allocation and balance. https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1610664766454-TQI860OHYL31J881I2BF/HalfacreeR.The+Spaghetti+Beneath+Rozelle.69cmx51.jpg Geometric Abstraction - The Spaghetti Beneath Rozelle Published in the Malamagi Arts Laboratory 16 Exhibition 2020 (Italy) Pencil, pen and acrylic on framed canvas paper 680 x 505 x 20 Over a long time, I have been fascinated by directional street signs. The fascination is a mixed one between their symbolism and utility and their frequent visual overload in combination. I have explored their use in 2 and 3 dimensional interpretations and assembled their use in surreal and absurd formats. Right now, 40 metres under Rozelle in Sydney Australia, breathes the construction of possibly the world’s most complex subterranean spaghetti junction, to be constructed over 3 levels. In my work I have extracted a “progress report” in the form of abstracted road directional signs. Using pencil, pen, and acrylic paint, I have depicted and simplified the different levels at different phases of their design and construction. https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1611360803936-39SV40FIS2OILIX984M3/The+Spaghetti+Beneath+Rozelle+2.jpg Geometric Abstraction - From Above the Freeways Selected for the Royal Queensland Art Society’s 2020 “ABSTRACTION ” Exhibition Petrie Terrace Gallery (Brisbane Queensland) 3 Panel acrylic, pen and ink on framed canvas paper 1250 x 650 x 30 This is a similar concept to “the Spaghetti Beneath Rozelle”, interpreting the complex construction activity 40 metres underground. https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1610665266659-SSNCIV2SRP4WBKF1S0VI/Shinsetsu.jpg Geometric Abstraction - Shinsetsu 2 Acrylic and pen on unframed Bockinford white paper 760 x 560 A further build on “Shintetsu 1”, with greater intensity and interaction. A larger interpretation of kindness and compassion – “Shinsetsu” - that permeates Japanese society. Within that I have tried to show how “social distancing” is a inherit part of Japanese culture. Lots of people moving about in different directions and speeds, but always showing respectful separation and abounding energetic kindness and respect. I was again influenced by visiting Tokyo’s Tsukiji fish markets where 30,000 workers harmoniously interact daily, and the Shibuya scramble crossing where 3,000 people navigate their ways leaving space. https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1610916327750-J13Z1P4B66HER28KNI4M/Individuality+Matters+20sqcm.jpg Geometric Abstraction - 20 square cm Acrylic and pen on stretched canvas 760 x 510 x 35 We sometimes need to be reminded about the value and beauty of the individual. In this work I have shown this by simply presenting 77 black rectangles all with an area of 20 cm², but each having unique dimensions. Different orientations in balance, all occupying the same space but all with unidentified individuality. https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1610917565045-6ESV6BKZJUUKMOWEWZTP/Spaghetti+Junction+with+Meatballs.jpg Geometric Abstraction - Spaghetti Junction with Meatballs Finalist Aspire Gallery “Petite Pieces” Exhibition 2021 (QLD Australia) Pen and tombow on paper 480 x 440 For a long time, I have been fascinated by directional street signs. The fascination is a mixed one between their symbolism and utility, and their frequent visual overload in combination. I have previously explored their use in 2 and 3 dimensional interpretations and assembled their use in surreal formats. However, right now, 40 metres under the suburb of Rozelle in Sydney, breathes the assembly of possibly the world’s most complex subterranean “spaghetti junction” being constructed over multiple levels. My plan was to interpret this new construction using chevron road signs. As I worked through this, I imagined the earth being removed and this then led me to imagine the dirt and rocks as the “meatballs” weaving through the “spaghetti”. https://www.rosshalfacree.com/social-messaging daily 0.75 2023-07-04 https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/cc0367d8-dd49-4cfd-990f-e12d8fce0531/Halfacree_Ross%2C300+and+Counting.jpg https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/27195adc-5fdc-46d7-82a0-9d4be5afeb1b/Halfacree_Ross_The+Gospel+According+to+Mark.jpg https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1610591497010-SFWJU8L14AR6CR7GZLAZ/ross+halfacree_thanks+for+spending+your+life.jpg Social Messaging - Thanks for spending your life caring for others - now go and sleep in your car Acrylic, pen and mixed media on a stretched canvas 1010 x 760 x 40 The title of my work comes from Australian author and social commentator Jane Caro. It is blunt but real. It is emotional and simple. The images represent the families and their legal and financial advisors driven by indifference, greed and loathing. Up to 14% of older Australians may be subject to abuse each year according to the Australian Institute of Family Studies. My passion behind this issue has been developed and informed from the information I have received as a non-executive director of the Australian charity “Seniors Rights Service” (SRS). SRS is a community organisation dedicated to protecting and advancing the rights of older people, particularly vulnerable and disadvantaged groups. Through this artwork I want observers to realise the imbalance in relationships is significant and frequent. If some recoil from viewing it, this is a reaction I want. I hope some find it disturbing, offensive and intimidating. The foundations and dynamics of elder abuse are very complex, but I have chosen to show it for what it is – people with influence doing what is horribly wrong. https://www.rosshalfacree.com/studio daily 0.75 2021-01-23 https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1611372970606-48GYYSY6W3QMSVTYXQ8D/stud+2.jpg Studio the original studios, gallery and teaching space https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1611373001594-PW8C29TE9RB07SRFF8B3/stud+4.jpg Studio my studio 1 https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1611373007988-EXWDNZW5CIS81NXXOCLS/stud6.jpg Studio my studio 2 https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1611438972109-MV739DQX82IE3OW7U5PK/PIC+1.jpg Studio looking north https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1611439000902-AP05U5K5FZJD40QRSNV6/PIC+2.jpg Studio south into the gallery space https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1611438969655-P40QHPEZ30466TSA1SO9/PIC+3.jpg Studio newer studios https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1611438999696-BO5TG33CFDPGRMFEQWQP/PIC+4.jpg Studio towards the gallery space https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/1611440043706-1M2GP847YYKOW93Z54AC/ERAMBOO+POND.jpg Studio eramboo pond https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/be59944b-11d3-4a3c-92c2-462bf1f9938a/Inside+Studio+3.jpg Studio my studio 3 https://images.squarespace-cdn.com/content/v1/5f7a59d336dbad5c270a7e27/2d267e4d-557f-463a-9fb9-96b1f69c6e2b/STUDIO+2.jpg Studio my studio 4